A burning (on-fire) IT project

2026031414294212th-16th century

A fascinating look at the IT department ecosystem during a catastrophic failure.

Saint Remigius Replenishing the Barrel of Wine; (interior) Saint Remigius and the Burning Wheat

Here we observe the Project Manager in his natural habitat, calmly assuring the client that the server barrel is full. It is, in fact, completely empty.

Leaf from a Beatus Manuscript: the First Angel Sounds the Trumpet; Fire, Hail-stones, and Blood are Cast Upon the Earth

Meanwhile, a junior developer has discovered a fascinating new button. A single toot of the deployment trumpet initiates a spectacular cascade of catastrophic failure.

The Fire-Rain, plate 5 from "The Apocalypse"

The resulting migration error triggers a magnificent shower of burning data, sending the entire IT department scrambling for cover under the nearest available rock.

The Martyrdom of Saint John, from "The Apocalypse"

Remarkably, the Lead Architect has adapted to the new environment. He sits serenely in the boiling vat of the post-mortem, his hands clasped in quiet acceptance of the empty barrel.

Fig. 1
Saint Remigius Replenishing the Barrel of Wine; (interior) Saint Remigius and the Burning Wheat (ca. 1500–1505). Swiss Painter. Oil, gold, and white metal on wood.

Saint Remigius, a 5th-century bishop, is shown performing a 'resource miracle' by replenishing a depleted wine barrel. In medieval hagiography, such stories emphasized the saint's role as a divine provider who could manifest essential supplies out of thin air to save a failing feast.

Fig. 2
Leaf from a Beatus Manuscript: the First Angel Sounds the Trumpet; Fire, Hail-stones, and Blood are Cast Upon the Earth (ca. 1180). Tempera, gold, and ink on parchment.

This 12th-century Spanish manuscript follows the tradition of Beatus of Liébana. These 'Beatus' books were medieval bestsellers, using bold, stylized imagery to illustrate the Book of Revelation. The trumpeting angel represents a literal 'deployment' of divine judgment upon the earth.

Fig. 3
The Fire-Rain, plate 5 from "The Apocalypse" (1523–24). Hans Burgkmair. Woodcut.

Created for Martin Luther’s New Testament translation, this woodcut reflects the 16th-century's intense preoccupation with the end times. Mass-produced prints like this allowed the public to visualize cosmic disasters, blending religious fervor with the era's new print technology.

Fig. 4
The Martyrdom of Saint John, from "The Apocalypse" (1511). Albrecht Dürer. Woodcut.

Albrecht Dürer’s 1511 woodcut shows Saint John surviving a vat of boiling oil. This series was a landmark in art history—the first book both published and illustrated by the artist himself. John’s serenity in the 'hot seat' symbolizes the triumph of faith over physical catastrophe.